Sabine Finkenauer
Curator: Please give our readers a bit of background about your studio/design practice.
Sabine Finkenauer: My artistic practice is based on a profound investigation of forms. Starting with figurative language drawn from images linked to childhood, femininity, the domestic environment, and nature, this research has evolved over the years into a process of clarification and synthesis and led to the development of a vocabulary of simple forms inspired by geometry and ornamentation. The pictorial approach lies on the border between figuration and abstraction, idea and representation. Drawing, of vital importance in my process, constitutes the starting point for the elaboration and materialization of my ideas on a visual level. The motifs are developed in my sketchbooks and transformed through a process of careful observation before migrating to other media and materials. My artistic method can be defined as a game whose rules I playfully establish and, above all, as a search for simplicity that sways within a field of complex boundaries.
C: Could you tell us about your design for U ME U?
SF: For the U ME U collection, we chose drawings from an older series, created with brush and gouache on paper. Their bold, flat pattern seemed well transferable to the requirements of a blanket. There are four colors and four motifs: the flower, the tree, the butterfly, and a geometric pattern.
C: What appeals to you about seeing your design in this format/medium? (throws/textiles)
SF: With painting on canvas and paper forming the central body of my work, I have already experimented with expanding drawing into other mediums and format.
Since it's a textile, it seems to me like a very natural adaptation, as I often paint on canvas and also have made several tapestries. Wool as a natural material provides a beautiful quality to the touch, and I like the idea of the two sides of the blanket that turn the motif into positive and negative.